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CCSR Annual Lecture 2013: Tariq Ali

16 May 2013
17:30to19:30

TA_Cafe Oto_ 8_11_10 (1)CONFLICTING  LEGACIES, HUGO CHAVEZ AND MARGARET THATCHER: Neo-liberalism and new wars versus social justice and peace

Tariq Ali is a writer and filmmaker. He has written over two dozen books on world politics and history. His novels, including the series known as the ’Islam Quintet’, have been translated into many languages. He is a longstanding editor of the New Left Review and writes regularly for the London Review of Books and the Guardian

West Building, Ground Floor Theatre
University of East London Docklands Campus
DLR station: Cyprus

Refreshments will follow the lecture

ALL WELCOME      ADMISSION FREE

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Future Sex

24 April 2013
11:00to16:00

What does gender mean in an age defined by post-feminist ideologies, and in cultures that have been ‘sexualised’? Women may have been gaining economic, social and cultural entitlements in recent years, but post-Fordist economies continue to exploit gender inequalities. And whilst a variety of ‘new femininities’ have promised freedoms and opportunities, they have also articulated further responsibilities associated with being a woman in the twenty-first century. Similarly, the increasing visibility of so-called ‘softer’ masculinities and the continuing appeal of the metrosexual man seem to signal transformations in the idea of what it means to be a man. Yet such opportunities for softness and flexibility are unevenly available in economic conditions designed to install an equality of inequality. If men are becoming softer and women more post-feminist, how are we to understand the position of queer identities? Is homosexuality ‘disappearing’ in the drive towards homonormativity? Is there a place for gender dissent in lesbian and gay cultures, or do challenges to binary constructions of gender and domestic nuclearity no longer have any meaning in an era of gay marriage?

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Public Policy

27 March 2013
18:30to20:30

Presented in association with Iniva, the fourth and final event in the Centre for Cultural Studies Research seminar series Culture & Polity explores the question of public policy. As the government’s austerity drive continues to whittle away arts funding while ministers question the very value of the arts, how should artists and arts bodies respond? What might a progressive arts policy look like? Is Britain’s cultural and creative sector under threat. Or will hard times inspire aesthetic and political radicalism?

Speakers: Tessa Jackson, Chief Executive Officer, Iniva; Áine O’Brien, Co-Director of Counterpoints Arts, London; Gavin Poynter, Professor and Chair, London East Research Institute, University of East London, and Cecilia Wee, London Regional Council of Arts Council England.

Venue: PS2, Iniva, Rivington Street, London

Admission £7/£5

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City and Space

6 March 2013
17:00to19:30

This is the third seminar in our Culture and Polity series in which our invited speakers will be examining the city both as a concept and as a space marked by social and cultural divisions and in which conflicting notions of community emerge. Has the economic downturn restructured the suburb from paradise to pressure cooker, making it the new inner city precariously perched on the edge? What are the political consequences of the impact of privatisation on city space? The award-winning film-maker John Smith will also present his film ‘Blight’ which revolves around the building of the M11 Link Road in East London, which provoked a long and bitter campaign by local residents to protect their homes from demolition. Read More »

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Security, Community & Democracy

6 February 2013
14:00to16:30

This is the second seminar in our Culture & Polity series in which our invited speakers will be examining the post-neoliberal subject as produced by the strategies of behavioural economics, security screening and the discourse of virology. What is the meaning of community and the social under these conditions? What forms of governance emerge from new techniques of securitisation and behaviour management and what are the implications for democratic processes? Read More »

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Digitisation and Value

5 December 2012
14:00to17:00

This is the first seminar in our Culture and Polity series, interrogating urgent questions of cultural change in the context of new forms of community, contemporary commodity forms and government policy.

This session will bring together a range of perspectives on the question of digitization and value, from the spheres of media and cultural studies, digital arts practice, and open source enterprise. To what extent do networked digital technologies enable new forms of human subjectivity, social organization and expressive new forms of culture? Do digital production tools and networked communications provide new modalities of intensity and sensation? Or do the materialities of digitization merely extend the field of neoliberal authority? Can technology offer new tools for building communities and potentially emancipate impoverished groups and environments? How do we conceive of value in a digital world? Read More »

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Pat Thomas “Listen, Whitey!” talk

15 October 2012
18:30to20:30

INIVA, Rivington Place London EC2A 3BA
Entry: £6/3
Book here

Pat Thomas spent five years in Oakland, CA, researching Listen, Whitey! The Sights and Sounds of Black Power 1965-1975. Befriending members of the Black Panther Party, Thomas discovered rare recordings of speeches, interviews, and music by noted activists Huey Newton, Bobby Seale, Eldridge Cleaver, Elaine Brown, The Lumpen and many others. He also tracked down the forgotten history of Motown Records and its Black Power subsidiary label, Black Forum, along with little known strands of Black Consciousness poetry, inspired religious recordings, and numerous regional and privately pressed Black Power 7″ soul singles from across the United States.

Presentation: Pat Thomas (author Listen, Whitey! The Sights and Sounds of Black Power 1965-1975)
Respondent: Dhanveer Brar (Goldsmiths, “Masculinity, Blackness and Performance in Mid to Late 20th Century African American Popular Music”)
Presented in association with INIVA.

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Music, Politics, Agency 4: Music, Creativity and Capitalism

Wednesday 27 June 2012

EB.1.03, UEL, Docklands Campus, 11:00-18:00

11:00-13:00: Commerce, Creativity and Capitalism

Mark Fisher, author of Capitalist Realism

Jeremy Gilbert, author of Anticapitalism and Culture, CCSR/UEL

Chair: Tim Lawrence

13:00-14:00

Lunch

14:00-16:00: Music and Neoliberal Capitalism

Dave Hesmondhalgh, author of Creative Labour, University of Leeds

Timothy Taylor, author of The Sounds of Capitalism, UCLA

Chair: Tim Lawrence

16:00-18:00: Panel discussion: Musicianship, Capitalism and Cultural Policy

Graham Jeffrey, University of the West of Scotland

Douglas Lonie, Youth Music

Ewan Pearson, DJ/producer

Cecilia Wee, Arts Council

Chair: Jeremy Gilbert

With thanks to the School of Arts & Digital Industries and the Higher Education Innovation Fund.

All welcome. No registration required.

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Music, Politics and Agency Seminar 3: Sonic Radicalism

23 May 2012
13:00to17:00

Centre for Cultural Studies Research, School of Arts and Digital Industries, University of East London presents

Music, Politics and Agency Seminar 3: Sonic Radicalism

Room EB.1.03, Docklands Campus, University of East London

Can sound subvert? Thinkers since Plato have assumed that it can, that social form and musical form are intrinsically linked, resonant, or pre-figurative of each other. In this seminar, leading and innovative thinkers will interrogate and explore these claims and their implications.

Speakers and Papers:

Adam Harper
Musical Radicalism Beyond the Sonic

Adam Harper is a music critic, music theorist and author of Infinite Music: Imagining the Next Millennium of Human Music-Making (Zero Books), which argues for a contemporary reappraisal of modernist aesthetics and offers a system for understanding musical creativity, as well as pamphlets on the future of music and underground pop music for the Glasgow Centre for Contemporary Arts and Precinct respectively. He is a PhD candidate, tutor and teacher at the University of Oxford, writes regularly for Wire and Dummy magazines and blogs at Rouge’s Foam.

Matthew Pritchard

‘Cornelius Castoriadis: Music and the Radical Imagination’

Matthew Pritchard is British Academy Postdoctoral Fellow at the Music Faculty, University of Cambridge. His work centres on the history of music theory and aesthetics in the nineteenth and early twentieth century, addressing such topics as the role of the musical motive as vehicle for metaphorical imagination and negotiation, the political origins of modern music analysis, and the social organization of music-aesthetic discourse. “Who killed the concert? Heinrich Besseler and the inter-war politics of Gebrauchsmusik” recently appeared, with an accompanying translation of Besseler’s 1925 essay “Fundamentals of Musical Listening”, in the journal /twentieth-century music/.

Dhanveer Singh Brar

“The whites have become black” – grime, blackness and pathology

Dhanveer is a PhD candidate in Media and Communications at Goldsmiths College. His research focuses on black radicalism and its obscured manifestation through phonic substance. He has taught at Goldsmiths College, University of East London and Central St Martins College of Art. Dhanveer is also a member of the University for Strategic Optimism.

Respondent – Jeremy Gilbert

Chair – Tim Lawrence

All Welcome – No need to register

Room EB.1.03 is on the first floor, main building: turn left from main square when entering the square from Cyprus station.

Cyprus DLR (Docklands Light Railway) station is literally situated at the campus.

To plan your journey to Cyprus station,seehttp://journeyplanner.tfl.gov.uk/user/XSLT_TRIP_REQUEST2?language=en

Please allow time for possible transport delays and for finding your way around the campus.

For any further details contact j.gilbert@uel.ac.uk

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Critical Beats 4: Dancing, Sound Systems and Party Environments

14 June 2012
19:30to21:30
The Centre for Cultural Studies Research at the University of East London presents the final event in the CB series:
Critical Beats #4: Dancing, Sound Systems and Party Environments
Circus 2 at Stratford Circus, £3/£1
Why do different scenes generates different forms of dancing? How do differently configured sound systems create different party environments? Does the quality of sound matter anymore? Do we need DJs and party scenes now we’ve got the internet? Is London party culture suffering a death by property price inflation?

Panelists: Snowboy, Julian Henriques, Colleen Murphy, Jeremy Gilbert
Moderator: Tim Lawrence

Snowboy (a.k.a. Mark Cotgrove ) is the author of From Jazz Funk & Fusion to Acid Jazz: The History of the UK Jazz Dance Scene as well as a percussionist, DJ, music promoter and bandleader of Snowboy and the Latin Section.
Julian Henriques is the author of Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing.
Colleen Murphy (also known as DJ Cosmo) is a founding member of Lucky Cloud Sound System and the organiser of Classic Album Sundays. She has DJed at the Loft and Deep Space in New York.
Jeremy Gilbert is the co-author of Discographies: Dance Music, Culture and the Politics of Sound. He is a founding member of Lucky Cloud Sound System and DJs at Beauty and the Beat.
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  • CCSR Publications

    Anticapitalism and Culture by Jeremy Gilbert

    Technoculture The Key Concepts by Debra Benita Shaw

    Edinburgh Companion to Virginia Woolf and the Arts by Maggie Humm

    Hold On To Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 by Tim Lawrence

    Snapshots of Bloomsbury by Maggie Humm

    Visceral Cosmopolitanism by Mica Nava
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