{"id":694,"date":"2011-04-05T11:17:03","date_gmt":"2011-04-05T11:17:03","guid":{"rendered":"http:\/\/culturalstudiesresearch.org\/?p=694"},"modified":"2014-01-30T17:36:55","modified_gmt":"2014-01-30T17:36:55","slug":"music-politics-and-agency-conference-may-20th-2011","status":"publish","type":"post","link":"https:\/\/culturalstudiesresearch.org\/?p=694","title":{"rendered":"Music, Politics and Agency"},"content":{"rendered":"<p>A one-day conference presented by: Centre for Cultural Studies Research, University of East London, Faculty of Social Sciences, Open University, Media Industries Research Centre, University of Leeds<\/p>\n<p>Can music change anything, or does its potency lie merely in its exemplary status as an organised human activity? What are the effects of power relations on music and to what extent is music itself a site at which power relations can be reinforced, challenged or subverted? What are the economic, affective, corporeal or ideological mechanisms through which these processes occur? Has the age of\u00a0 recorded music as a potent social force now passed, a relic of the twentieth century; or with the music industry in crisis, is music culture in fact the first post-capitalist sector of the cultural economy, only now emerging from the long shadow of the culture industry? What historical or contemporary examples can we draw on to address some or all of these questions?<\/p>\n<p><!--more--><\/p>\n<p>University of East London<br \/>\nDocklands Campus<br \/>\nEB.2.43<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A one-day conference presented by:<br \/>\nCentre for Cultural Studies Research, University of East London<br \/>\nFaculty of Social Sciences, Open University<br \/>\nMedia Industries Research Centre, University of Leeds<br \/>\nMay 20th 2011<br \/>\n11:00 &#8211; 18:00<br \/>\nUniversity of East London<br \/>\nDocklands Campus<br \/>\nRoom EB.2.43<\/p>\n<p>Can music change anything, or does its potency lie merely in its exemplary status as an organised human activity? What are the effects of power relations on music and to what extent is music itself a site at which power relations can be reinforced, challenged or subverted? What are the economic, affective, corporeal or ideological mechanisms through which these processes occur? Has the age of  recorded music as a potent social force now passed, a relic of the twentieth century; or with the music industry in crisis, is music culture in fact the first post-capitalist sector of the cultural economy, only now emerging from the long shadow of the culture industry? What historical or contemporary examples can we draw on to address some or all of these questions?<br \/>\nThis conference is programmed by Jeremy Gilbert (Centre for Cultural Studies Research, University of East London), David Hesmondhalgh (Media Industries Research Centre, Institute of Communications Studies) and Jason Toynbee (Centre for Research on Socio-Cultural Change, Open University).<br \/>\nThe conference is free to attend, but pre-registration is recommended.<br \/>\nTo register email j.gilbert@uel.ac.uk with the subject \u201cMusic, Politics and Agency Registration\u201d<br \/>\nFor any further information, email j.gilbert@uel.ac.uk<br \/>\nUEL Docklands Campus is best reached via Cyprus DLR (Docklands Light Railway) station, which is literally located at the campus.<br \/>\nFor information about the campus, see http:\/\/www.uel.ac.uk\/campuses\/docklands.htm<br \/>\nRoom EB.2.43 is on the second floor of the main building (\u2018East Building\u2019) which is to the left of the main square upon entering from the square from Cyprus DLR .<br \/>\nSee http:\/\/journeyplanner.tfl.gov.uk\/user\/XSLT_TRIP_REQUEST2?language=en to plan your journey.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,25],"tags":[],"_links":{"self":[{"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/posts\/694"}],"collection":[{"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=694"}],"version-history":[{"count":9,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions"}],"predecessor-version":[{"id":1254,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=\/wp\/v2\/posts\/694\/revisions\/1254"}],"wp:attachment":[{"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalstudiesresearch.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}